A Little More about… The Early Bird

The Early Bird by Leo Butler is a dark drama, and the very first (official) KDC Spotlight Showcase, a play with a small cast that a director can get really intimate in the direction of.

The Early Bird taps into the darkest fear of any parent – the disappearance of their child – to brilliantly capture the nightmare of recrimination and loss. Debbie and Jack blame each other and themselves, and in doing so reveal the inner secrets of their own relationship.

The Early Bird is our first show of the forthcoming Spring Season at the Lion and Unicorn Theatre in Kentish Town, and is directed by Zoe Thomas-Webb (whose previous productions include “The Last Days of Judas Iscariot” with Sedos and “Much Ado About Nothing” with So It Does Theatre).

KDC: Let’s start with; What is it about this play that you love?

Zoe: I love it because it’s about quite a taboo subject but I like the ambiguity of it, it’s provoking and for me, there’s light at the end of the tunnel.

KDC: And how is it working so closely with just two actors who will never even leave the stage?

Zoe: Surprisingly easy, as you don’t have to think about entrances/exits and quick changes etc. And it helps that we all get on (not just saying that because they’re in the room).

KDC: So from a directing point of view, what have you found to be the big rewards of working on a two-hander play?

Zoe: You tend to be able to work a lot faster and more productively as even when you get to periods where you may have crossed wires creatively, it can be cleared up quickly and you can move on.

KDC: The subject matter is a serious one, and the play itself is a dark drama. Does the nature of the play in such an intimate setting affect the tone of the rehearsals?

Zoe: Not at all, if anything I’ve never laughed more.

KDC: Have you had any specific influences to your approach or tone for the production?

Zoe: Not so much artistic influences but we have discussed issues raised by several BBC 4 dramas/Broadchurch and there’s actually been quite a lot in the media recently as it’s the 20th anniversary of the death of James Bulger so a lot of ‘real life’ influences have helped.

KDC: So a minimal question considering the minimal cast, in one word can you describe the relationship between the two characters in just one word? And how about the play itself?

Zoe: Fraught and provoking.

KDC: And let’s finish off with “the tag line that never was” – The Early Bird by Leo Butler:

Zoe: Madonna, Mars Bars and Monsters.

Many thanks to Zoe for taking the time to answer these questions.

Ticket information can be found on both www.kdctheatre.com and www.giantolive.com

“She’s got on her little orange mac. With the hood pulled up. Turns the corner and goes to catch the bus. . . You don’t think, do you? You don’t think anything’s going to happen.”

We’ve also taken the time to catch up with Kate (Debbie) and Thom (Jack), two brand-
spanking new members to KDC who have found that their first show puts them clearly in the spotlight:

KDC: The Early Bird is a drama dealing with a very serious topic. Is the dark subject matter hard to approach?

Thom: Yes (smile).
Kate: Very similar to a play that I developed with a couple of people as a project. We ended up doing a story about a couple whose child had died and they were trying to deal with it so it’s sort of just continued on from that.

KDC: What have you found to be the big rewards, if any, in being in a two hander play?

Kate: Because it’s quite an even split between us, helps to make sure we’re on the same page (not literally, well that too) so it’s easier to reach an agreement on the interpretation of the text at any given moment.

KDC: And is it easy to bond as a cast or establish the character’s relationship in a tense two hander?

Thom: It’s been a difficult subject matter to approach.
Kate: Yeah, it’s a difficult play but that’s good.
Thom: And our relationship in the play isn’t really a good relationship, so, actually, that’s quite challenging because there is a relationship – or there was one, but where it is now is not a happy place.

KDC: How would you describe your characters in one word?

Kate: Desperate.
Jack: Level, he’s a leveller.

KDC: If you had one sentence in which you could sell the show to your fellow KDCers; how would you describe it?

Jack: A terrifying but brilliant insight into a couples darkest times.
Kate: Two people desperately trying to rescue themselves and each other.

KDC would like to thank Thom and Kate for taking the time to answer these questions.

The Early Bird launches our Spring Season for one week only and runs for five shows from the 26th to the 30th March at the Lion and Unicorn Theatre in Kentish Town (tickets are £12 with an £8 concession).

Visited – Devised Piece Spring 2013

Visted-thumbCamden People’s Theatre
5th, 6th, 7th April 7.30pm (2.30pm Matinee on Saturday 6th)

In a manor house in rural England, a Victorian family entertain the stranger in their midst with stories of the dead.

‘It could have been everyone and no-one. I do
have a sense that someone is just out of sight and trying to tell me something…’

A young African girl is plagued by demons.
A solider is tormented by the war he witnessed.
A wedding party is interrupted by a guest fixed on vengeance.

A family is haunted by their past…

The woman at the door will decide their future.

We are all visited by things we can’t control.

‘Visited’ is a original play conceived and devised by the cast and directors:

Violet Edelman
Maeve McClenaghan
Vanessa Okello
Anna Postle
Emma Cherry Rolf
Chris Stooke
Anna Tsekouras
Francis Whittaker

Directed by Trina Hasthorpe and Kim Morrison

Summer 2013 directors and pitches needed

Following our four amazing Spring shows, we will be making a return to an old friend in Summer, the Barons Court Theatre, on the weeks beginning 15 and 22 July.

We are looking for pitches for this season, but of a very specific nature. We are calling this Summer our XX/XY season. One week will be a play or production with a male cast, and the other a female cast. These can be exclusively, or predominantly male or female casts, but what we DO want is interesting and exciting pitches for shows with casts of around 8 actors (and upwards)

If you have a perfect play that would fit the bill in mind, then great. If you decide that NOW is the time to stage your all female Julius Caesar, then great. If you want to go Greek, then great.

We are looking for engaging and attractive shows from enthusiastic directors.

You have until 31 March to get us your pitches, and of course you can say “I’m interested” straight away. We aim to listen to the pitches in the first week of April. Please email artistic@kdctheatre.com in order to express interest.

Thirsty Thursday 7 March

Don’t forget! With rehearsals well underway for the Spring Season, it’s time for another Thirsty Thursday social at the Hoop & Grapes, Farringdon Street.  From 7.30pm, we’ll be at our favourite haunt with an opportunity for casts, crews and friends new and old alike to meet up.  See you there!

Reasons to be Excited!

A message from Andy, our chair:

We want you! We want you to have a great time with us, and enjoy some top quality drama, so I, your steamed Chair, am here to tell you not just what’s coming up, but what’s going to be so great about it!

Okay, so let me tell you about the first show, our first OFFICIAL Spotlight Showcase, THE EARLY BIRD.

The-Early-Bird-thumbUsually with KDC, when we look for shows, we think of what would be a fair cast size to encompass our membership as much as possible, so usually we aim for about 8 people in a show at least. Problem with that is that there are an awful lot of amazing plays that don’t get the benefit of being staged, and an awful lot of brilliant actors and directors that never get the opportunity to really fine tune a piece to the last molecule.

So Emma, our Artistic Director, and myself decided to put the word out for a “Spotlight Showcase” – a show specifically for two or three actors to work intensively together. Zoe Thomas-Webb came to us with the brilliant and dark play THE EARLY BIRD and some really cool ideas for the show. This is a really new idea for us, and it’s going to be great to see our two Spotlight Showcase Actors, Thom Petty and Kate Sketchley (both new to KDC Theatre!) in action!

This is our first show up, and I’m personally really excited about it!

Go to , or to our homepage to book tickets.

So after that, we return to one of KDC Theatre’s Strengths with a new writing double bill.

The-Player-Played-thumbThe-Lads-thumbThe first time I got involved with KDC was in a piece of New Writing called Madman William, where I was cast as a rather groggy and frustrated writer (which is basically me). Since then, the new writing at KDC has increased in leaps and bounds, with Eddie Coleman, and later yours truly pushing forward ideas like Round Table Readings of new plays, Rehearsed Readings and a fast and loose and fun concept called “Play in a Day”. Out new writing has also extended to an anniversary piece (The Long Run), a collaborative piece (Summers Gone) and most recently, and incredibly well received contribution to the RSC’s Open Stages project, The War Of The Waleses.

So… new writing is a big deal at KDC and something I get totally revved up about. We have two plays;

One is a fantastic piece all in rhyme, by long time member Matthew Partridge, directed by our very own Fiona Thomas called The Player Played. When we read this at one of our reading nights it really tripped off the tongue and is sure to be be a real crowd pleaser.

Back to back with this one we have Stag Nation. A bawdy, booze stinking hangover riddled play, very much about the morning after the night before. Kat Wootton, who directed the brilliant Sister Mary Ignatius last Summer has the reins on this one.

Tickets here

And last, but by no stretch of the imagination, least – Richard III. Shakespeare. Classic Text. Well know play. Female Richard…
Richard-III-thumb

Wait, what!? That’s right! A female Richard. Christopher Warren’s adaptation of this legend of a play stemmed from this initial idea, then took root in his brain until it burst forth from his mouth as a fully rounded pitch. The potential discovery of Richards remains is PURELY circumstantial and is in no way a publicity stunt for this show. IN. NO. WAY…

This is our Ensemble piece for the season, made Glorious Summer with new member Thea Beyleveld taking the title role.

Tickets for Richard III are at and KDC website.

But before all that, THIS THURSDAY at the HOOP AND GRAPES it all starts with one of our tried and tested Thirsty Thursday events. These are not simply your bog standard “nights in a pub” – oh no. This is us, as a community, all together, all from different shows, hanging out, talking about what’s coming up, sharing our interest and enthusiasm.

Thirsty ThursdayIt’s a place where you can see our drunken Stags hanging out with Richard III or one of her cronies, or see the rare sight of a director buying a round.

It’s free, it’s not exclusive to people in shows, and it may well be that “way to know the company” that you were looking for.

Be seeing you! Regards, Marchie