Obsession winners & cast

We are very happy to announce the winners of our Full Stack writing competition, and the cast and directors that will make the winning scripts come to life in our show in June!

Without further ado and in no particular order, here are our script writing winners:

Barry Wood
Jamie Lakritz
Natascha Graham
Amy Oestreicher
Jen Moss
Alan Kilpatrick
Nick Mouton
Carl Fletcher
Darren Donohue
Olly Clifford

A very big thank you to all the writers who submitted their plays. We had a great time reading through all your submissions, and it was very hard just to pick ten winners!

Of course we need actors to perform those wonderful words. The auditions were busy and fun, and we want to extend a huge congratulations to our fantastic cast:

Alex Lopez
Aoife Spengeman
Carl Fletcher
David Hepburn
Grace Aldridge
Ian Green
Jacky Rowland
Sara Odeen-Isbister
Sarah Berryman

And heading up this creative endeavour are our lovely directors:

Jannina Brosowsky
Matt Aldridge
Florence Oliveira
Jon Foster
Jessica Rogers

Congratulations to everyone – let’s get back on stage and make some theatre!

Obsession will be staged 29 June – 03 July at the Lion & Unicorn Theatre in London. Tickets go on sale shortly.

Come audition for Obsession!

Fill in the online audition form here!

Our 5th annual Full Stack show – Obsession – will be staged at The Lion & Unicorn Theatre from 29 June to 03 July, 2021, live on an actual stage! (*gasp*)

And to stage a play, we need actors. So we are auditioning next week! Download the full audition notice HERE and read on for the important dates & information!

When: Monday 12, Tuesday 13, and Wednesday 14 April 2021
Choose whichever date suits you best, but bear in mind that auditions get busier later in the week. 
Time: Welcome at 6.45pm. Auditions start at 7pm till ~9.30pm.
Where: Online via Zoom

Auditions are free and open to all. You do not need to prepare anything for the audition.

Let’s get back on stage!

Excited to get back in front of an audience? Then sign up for auditions by filling out the online audition form so that we have your contact details and know to expect you.

Tickets on sale for our spring show, Zoomed Out

Fully live streamed on 31 March, 1 & 2 April at 7:30pm

Get your tickets for the livestream!


In this last year we’ve all had to change how we work and socialise. From unexpectedly chaotic parish council meetings, to cat lawyers, and finding out what your boss’s bedroom looks like, there have been some rather… unusual aspects to the “new normal”.

As we start to tentatively envision a physical world again, KDC reimagines some of its previous productions through the constant (sometimes unwelcome but always useful) online lens…

Including pieces from:
– Tis Pity She’s a Whore and Carried Away (2019)
– Future Imperfect (2018)
– What Keeps Me Awake (2017)
– Romeo & Juliet (2015)

And a special newly produced segment from A Midsummer Night’s Dream!

Get tickets here

Auditions, this Thursday

The Most Lamentable Comedy, and the Most Cruel Death of Pyramus and Thisby

*Audition signup now closed*

What would Shakespeare be doing today if he was still alive? Well, obviously he’d be telling people what it was like to be over 450 years old, plus, like many other people in the theatre industry, he’d be working out how best to perform plays via Zoom.

And that is what KDC will be doing as we perform via Zoom on 31 March – 2 April, the Mechanicals’ scenes from A Midsummer Night’s Dream.

Whilst in lockdown, Quince, Bottom, Snug, Flute, Snout and Starveling must rehearse a play over Zoom to perform it for the Duke and Duchess on their wedding night (via Zoom). Think the Handforth Parish Council meeting, with even more inflated egos.

KDC are holding online auditions to perform in this comedy of putting on a play where we’ll be mining the script for every drop of comedy along with mining the fact we are having to rehearse a play on Zoom for a performance on Zoom for every other drop of comedy.

Quince, Bottom, Snug, Flute, Snout and Starveling are often referred to as Mechanicals. They are a group of amateur and incompetent actors and that incompetence shines through as they rehearse and perform their play.

Gender is not important. Age is not important. Shakespearian experience is not important. What is important is the drive to make scenes that are funny on the page even funnier on the Zoom stage.

The first round of auditions will Thursday 25 February from 7pm revolve around group work, some improvisation and you may be asked to read both Bottom and Quince – see script below.

You spoke: our Full Stack theme for 2021

The results are in! This year’s Full Stack theme will be Obsession. Many thanks for all the suggestions, and congrats to the winning theme – read on for all the information on Full Stack 2021.

We’re looking for short scripts in any genre for an anthology show in the summer, so get your thinking caps on.

The full brief for submissions is as follows:

Theme: Obsession

Mandatory prop to use / mention: bottle of cheap wine

The format for Full Stack is designed to encourage simplicity and efficiency of storytelling, so submissions need to:

  • Be no longer than 4 sides of A4 paper (ie. about 8 minutes)
  • Have no more than 3 actors needed
  • Include your name & date written

Your script can be shorter than 4 pages, and/or have more than 3 characters (as long as 3 actors can portray them all). You can submit as many scripts as you like!

Please send your scripts to newwriting@kdctheatre.com, by 26 March. Happy writing!

More information

For more information on Full Stack and the anthology show, visit our Full Stack page. For more information on our new writing opportunities, visit our New Writing page. You can also send our New Writing Coordinator a message via our contact form.

Follow us on Twitter, Facebook, and Instagram to stay up to date on everything KDC Theatre, or sign up for our Showdown newsletter to be the first to know everything!

Radio plays taped

Our recording days early this month went off without (much-of) a hitch and our wonderful casts got to meet for the first time, lay down their “sick vocals”, and retreat back into the depths of lockdown. Completely by chance our recording days fell on the 2-week thread-the-needle period between lockdowns, but we’re very grateful to have gathered however briefly to make something tangible. Our production teams for Seeds and The Mistress of the Inn are now busy editing, we’ll have something shiny to present to you real soon. Here are a few photos to whet your appetite!