Other roles detailed below.

Also, don’t worry if you missed out on this week’s auditions for A Number, F**kArt and Conference Call. The directors of those shows will be around from 12 pm if you would like to audition for them as well and did not have the chance this week! They are more than willing to see you!

Those Sister Mary roles in full then:
Sister Mary Ignatius – (mid 40s to mid 60s ish) intense and powerful presence, very sincere in her faith. Has no doubt.
Thomas – (7 years old) a current star student of the Sister. Parrots catechism with eerie innocence.
Gary Sullavan – ex student of the sister. Gay and practising Catholic, emotionally mature.
Diane Symonds – ex student of the sister. Serious, plain-spoken, distant and disaffected, disguising deep hurt. Has given up her faith.
Philomena Rostovich – ex student of the sister. Sweet, nervous, and shy. Vulnerable. Still Catholic.
Aloysius Busiccio – ex student of the sister. Blunt. Depressed alcoholic. Still Catholic.

A Number, F**kArt and Conference Call:

6.30pm Wednesday 16 May, St Brides Institute, Bride Lane, Fleet Street, EC4Y 8EQ

Auditions for Sister Mary Ignatius Explains It All For You are this Saturday at 10am, again at St Brides.

The only things that we would ask are that the plays have plenty of roles for our actors to throw themselves at (say, around 8 or more, but we are open) and that our strongest demographic, young female actors, are not relegated to the odd word in the background. The more equally divided the roles, the better!

If you have a show to pitch or would like to get your mind moving on it all, please could you get in contact with Emma Knott, Artistic Director at artistic@kdctheatre.com BEFORE the 25th May so that we can get the ball rolling!

We look forward to hearing from you

Auditions for the One-Act Summer Season 2012 are at the St Brides Institute, Bride Lane, Fleet Street EC4Y 8EQ.  For their website and a map visit our venues page.  See the Summer Season page for details of all the shows.

A Number, F**kArt and Conference Call:

6.30pm Monday 14^th May: surnames A-K
6.30pm Tuesday 15^th May: surnames L-R
6.30pm Wednesday 16^th May: surnames S-Z

Sister Mary Ignatius Explains It All For You:

10am Saturday 19^th May: everyone

Recalls for all 4 plays: midday–4pm Saturday 19^th May. These are by invitation only and are also at the St Brides Institute.

It’s free to audition and you can audition for as many plays as you want though you can only be in one.

Rehearsals start the week commencing 21 May.

Dracula auditions will be in early June. If you are cast in one of the summer plays you’ll still be able to audition. Keep your eyes on the website for all the details.

Bernard Salter has learned a disturbing truth. He is not alone. A number of copies of him exist in the world and his own presence among them gives him pause. The only person he feels he can turn to is his father, but does he want comfort or answers. And what happens when another Bernard appears on the scene?

To put it bluntly, this is a play about cloning.
To put another spin on it, this is a play about identity.
With yet another spin, this play is about father/child dynamics.
The play itself, like the subject matter, is able to take on so many different identities.

The play debuted at the Royal Court Theatre in London on 23 September 2002 and starred Michael Gambon and Daniel Craig.

Characters:

• Bernard 1/Bernard 2 – Two different reflections of the same person, one scared and uncertain, the other threatening and angry (Male/Female, 20s-mid 30s)
• Salter – Father of Bernard. Devoted to his son, but with a lot of shadows in his past and a selfish side in his nature. (Male, late 30s plus)

Sex sells and no one knows this better than Simon, cousin and silent partner in the business that is ‘Frank the artist’. Though Simon and Eric, Frank’s brother, may not approve of Frank’s questionable approach to production, Simon knows that “people like filth” and that the art world and the general public are always ready to buy into that.

F**kArt is a provocative, dark satire on the state of the art world. The play explores the relationship between art and sex and in doing so, questions the morality of the society we live in.

• Simon/Frank:  two confident yet opposing characters played by one actor. Simon is the disapproving but clever agent, Frank is the wild, provocative, sex-obsessed artist (male, 20-30s).
• Eric: Frank’s brother who poses as his agent; a shy, nervous man who is easily led by Simon and Frank (male, 20s).
• Nadia: the Saatchi gallery buyer, a frustrated business woman who is desperate to be part of the artist’s world in any way (female, 20-30s)
• Electra/prostitute: tasked with occupying the artist during the Saatchi visit and assisting with his artistic output, confident and unashamed (female, 20-30s)

In Conference Call all three doctors and Martin Mills remain on stage throughout the entire performance. The play is based around an abstract phone call in the protagonists’ thoughts, and looks profoundly at the psychological responses of our minds when we suffer a tragedy. It looks into the different ways our minds may handle the grief post trauma.

Martin Mills is a risk-taking, city banker, who has developed severe mental blockages, brought on by an extremely painful life event. Through this he has lost all memory of his life and identity. Martin’s last memory was chasing a female ghost around a cemetery reciting the Lord’s Prayer backwards, whilst performing a disturbing religious ceremony. He is aware that his mind has closed down completely.

Conference Call, is just that, a long metaphorical conference call within Martin Mills’ mind, between the thinker (Martin) and three doctors, (the committee in his mind) who represent fetchers and carriers of memories in his consciousness, all fighting against the thinker in his internal dialogue. The doctors fail to agree at times, causing a division and psychological problems; all three and the thinker conspire together finding undesirable things in the memory. Certain unleashed memories cause uproar, and Martin’s mind goes on strike so he is unable to remember what happened to his missing wife.

• Martin Mills (male, 35-45) – Suave and stylish. Initially we slightly dislike his arrogant demeanour, but as his ego is broken down, he is brought to his knees, which softens his edges.
• Doctor Rye (female 30-40) - A caring, gentle person, like a key-worker in society.
• Doctor Walmer (female, 30-40) - A formal, factual and strict character, rather like a lawyer or headmistress.
• Doctor Deal (female, 25-35) - Slightly irresponsible, antagonising and less empathetic. Rather like a well-educated University graduate intern, fumbling and clumsy in her first appointment.
• Martin Mills’ wife (female, 25-late 30’s) - A woman with a kind face and an alluring presence